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Image 1 of 1
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Botanical printing on paper echoes the same conversation as printing on tetile, but with more freedom to explore, push boundaries, and, and capture the more delicate details.
Leaves, petals, and stems are placed on paper. Through pressure, moisture, and heat, their pigments release, not forcefully, but gradually. Pigments bind to paper with blurred edges, subtle colour, and fading silhouettes..
What emerges is never a perfect replica, but an impression of form, a suggestion of colour, a moment suspended between clarity and disappearance. Each print feels archival and ephemeral at once, preserving the plant while letting it go.
The artwork becomes a meditation on impermanence, where the act is less about capturing nature, and more about witnessing how it chooses to leave behind.
Botanical printing on paper echoes the same conversation as printing on tetile, but with more freedom to explore, push boundaries, and, and capture the more delicate details.
Leaves, petals, and stems are placed on paper. Through pressure, moisture, and heat, their pigments release, not forcefully, but gradually. Pigments bind to paper with blurred edges, subtle colour, and fading silhouettes..
What emerges is never a perfect replica, but an impression of form, a suggestion of colour, a moment suspended between clarity and disappearance. Each print feels archival and ephemeral at once, preserving the plant while letting it go.
The artwork becomes a meditation on impermanence, where the act is less about capturing nature, and more about witnessing how it chooses to leave behind.